Cameras

The ARRI 16SR3 ADVANCED camera is a S16 or N16, direct sound S16 or N16, 20 dB, PL-mount, mechanical variable shutter from 45° to 180°, with a speed range of 5 to 75 fps. forward speed.

The ARRI 16SR3HS ADVANCED is a S16 or N16 film camera, for direct sound being -20 dB, PL-mounted, with a variable mechanical shutter from 45° to 180°, with a speed range of 5 to 75 fps. forward.

The ARRI 416 is an S16 film camera, for direct sound being – 20 dB, PL-mounted, with a variable mechanical shutter from 45° to 180°, with a speed range from 5 to 75 fps. forward.
The 416 is adapted to the new era with the IndieAssist HD Video Tap for HD video out, the Elokuvakonepaja V-Lock adapter for powering the camera with V-Lock batteries and the Elokuvakonepaja Side Plate with many 3/8″ and 1/4″ threads for attaching all the new accessories.

The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn’t require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage.